UPDATE – the writing is moving along slowly, but at least it’s moving along. I’m making progress on both the new longhand work and typing the second draft. The longhand has slowed down a bit because every time I sit down to write new ideas hit and I end up running with them. Sometimes I run down a dead end and have to go back. That’s the trouble with being a pantser.
I wrapped up a paid assignment today and will have off for a while. I think I’m going to need to get a new laptop. My current one is taking longer and longer to boot up, and now at least one key has come loose (the number eight/asterisk; I can’t press it to show you because it doesn’t work now). So there’s yet another expense on the credit card. I may be doing a lot more longhand over the weekend. Or I can type at the library. Hooray for thumb drives!
I miss the bots. Those big view numbers made me feel popular. It doesn’t help that the old group blog I used to be on, which hasn’t been active since at least 2016, still rakes in a huge viewership. Mostly from Canada lately, for some reason. Why doesn’t Canada like me? Maybe it’s my breath.
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Reading soft-core smut for a living can be fun, but it does come with a downside: after years of spending long hours daily reading for a paycheck, reading for my own entertainment gradually fell by the wayside. At the end of the day, the last thing I wanted to do was look at even more of someone else’s words. Especially romance. I got burned out on reading, even the stuff that was paying the bills, but I couldn’t afford to just quit. Then the market slowed down, the writers started retiring (maybe they got burned out too) and the assignments (and my income) started to dwindle. Instead of reading and writing more, I got depressed and ended up with the gaming addiction. But you don’t want to hear any more of that whine and cheese fest, so let’s move on.
Now that I’m semi-productive again, I’ve chosen to put time for just plain reading back on my schedule. Just no romance novels; I get enough of that at “work.” And not entirely just for the fun of it, either. This is semi-related to work, almost. Allow me to explain.
As chronicled, I’ve been writing a fantasy story about a detective trying to track down a writer at the request of several fictional characters. Since this is a novel about genre fiction, I’ve decided my first-person narrator’s voice should echo the tone of past detective classics. Although, as anyone who had to slog through a “classic” for a high school or college lit class knows, the writing styles of yesteryear can be a challenge (cough “boring” cough). I’ve never read Moby Dick, but I’ve heard stories. There’s a reason Cliff’s Notes and Classics Illustrated comic books used to be so popular with students.
What I need is the tone and flavor of a 1940s noir detective novel, but updated for modern readers. My first choice would be if I could find my old copy of Who Censored Roger Rabbit, about a hard-boiled LA detective dealing with comic strip characters, but that’s buried somewhere in my book room and I’m not about to go digging for it. So I’m going with my second choice, the best of all possible worlds: reading my way through my collection of Robert B. Parker’s Spenser novels.
If Parker’s name isn’t familiar to you, maybe Spenser’s is. There was a TV series back in the 1980s based on the books, starring Robert Urich as the titular PI and Avery Brooks as his buddy Hawk, still the coolest character ever to grace a TV screen. Watching the show got me into reading the books. Parker himself was a fan of Raymond Chandler, creator of private eye Philip Marlowe and one of the fathers of the hard-boiled detective genre. The Spenser in the books was nowhere near as charming, or good-looking, as Urich’s TV version. Book Spenser was an articulate tough guy and chivalrous thug who could knock down opponents with a smartass quip as easily as with his fists, depending on the situation. The tone Parker used was a callback to ’40s pulp writing styles, but streamlined and sped up for modern impatient or time-constrained readers. Exactly what I’m looking for for my particular story.
Now all I have to do is study the books and figure out how he achieved it.
This solves a lot of problems: it keeps me focused on the book I’m writing, so I’m not tempted to screw off and play games; it will make the book better if it has a “voice” that matches the subject matter; I get a chance to learn new tricks by dissecting the work of a successful published writer; I get to read something other than romance for a change, which will help get me out of my rut; and the books themselves are just plain fun, which will elevate my mood and get me back into my writing groove. That “joy” I talked about in a previous post? Here it is.
And I can picture Avery Brooks delivering Hawk’s lines in that sexy voice of his. Dang, that man was hawt.
Be aware that this is not plagiarism. I’m not stealing plots, characters, or lines of dialogue from someone else’s work. I’m looking for word choices, rhythms and sentence/paragraph structures that will echo the flavor of noir detective classics without putting readers to sleep. It would be the same if I was writing a Western or, well, a romance novel. People pick up a genre book with certain expectations, whether they’re consciously aware of that or not. If my PI doesn’t have a world-weary outlook or a quick-witted comeback in the face of some guy’s gun, they’re going to wonder about it. As an added bonus, there’s a meta reason for all this regarding the PI’s origins, but I can’t reveal that without ruining the ending. You’ll just have to wait until I finish it. Which had better be before I hear back from the publisher I sent my query to. But now I’m stoked, so I don’t think that’s going to be a problem. I’m off to work before the next assignment comes in and I get dragged back into romance. See y’all next week.
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