Thursday, September 2, 2021

You Snooze, You Lose

 

I’m a slow writer. I admit it. Procrastination’s only part of the problem. Even when I’m hot on something, can’t wait to get to the keyboard, I still have problems getting the words down, even when I’m on a streak. I’ll have a good day or two, then go blank for weeks at a stretch. I’m currently writing an eight-book series all at once because it’s the only way I can guarantee the books will come out on a regular schedule. I’m not even going to market the first one until I’ve got at least the first five completed in draft form. Even that may not be good enough. My subconscious has a nasty habit of throwing blocks in my way at the worst possible time. Better go back to the original plan and draft all eight of them first.

Back in the ancient days of BI (Before Internet) this never used to be a problem. People expected writers to take a year, even two, between books. The audience was willing to wait. No longer. The Internet has spoiled us. A couple of clicks and you’ve got books, movies, information, porn, anything you could ask for right in front of you, instantly. We’re not willing to wait any more. We want what we want when we want it, and we want it right freakin’ NOW. And if you can’t produce fast enough to supply that impatient demand, your audience will desert you, maybe never to return. There are plenty of other books in the electronic sea, from writers willing and able to churn out a story a month. Or more.

I am in awe of those writers, because I’ll probably never be among their number. I’m just not fast enough for current market conditions. Even giving up on housework didn’t increase my production. I’ve often wondered who does the laundry and cooks the meals in those writers’ households. Or, for those writing erotic romance, when they find time to do “research.”

The moral of the story is, not being fast can cost you your customers. And sometimes even more than that, as I was reminded recently.

Years upon years ago, maybe the ‘90s, maybe early 2000s, I toyed with the idea of writing horror novels. Stephen King wasn’t writing the type of books that had made him famous any more. If someone could slip into that vacated niche, they might do pretty well. I had a couple of plots in mind, including one inspired by the King himself. Back in the day he wrote two related novels, published almost back to back, Desperation and The Regulators. Different stories, but the same cast…sort of. The characters’ names were the same, but the roles they played varied from one book to the other. A bad guy in one was a good guy in the other, a child had become an adult, things like that. Like a couple of parallel universes. And what, I thought, might happen if the universes intersected, and those characters, the same only different, ran into each other?

Having grown up as a science fiction fan, I had no problems with the concept of infinite “what if” worlds. Or of characters meeting their counterparts. Remember the “Mirror, Mirror” episode of Star Trek? Spock with the beard? Oh yeah. Ahem. I came up with a plot about a parallel universe that opened up into ours, allowing characters to pass back and forth, and the hijinks that ensued.

It came out pretty good, in my humble opinion. The main character, a cop, was alive in our world but had committed suicide in the other. There was a woman who had no counterpart in any other universe. There was a bad guy—oh, the bad guy. He was male in the other world, but female in ours. The two of them met. And hooked up. Yes, exactly how you’re thinking.

I thought that was one hell of a daring concept, for its time. They’re the same person, just different bodies. Different genders. Is it love? Incest? Masturbation? Or the ultimate in narcissism? I couldn’t recall ever reading anything like that before, not even in science fiction. Maybe it happened in Star Trek fanfic. I have no doubt Captain Kirk would have gleefully banged his female other self, and vice versa. Kirk was always something of a slut.

It’s all hypothetical, because while I started the book, I never finished it. I suspect my subconscious knew it was beyond my then-skills. Plus I started having trouble recalling which versions of the characters had done what where and when. This was a book for a plotter to writer, and I’m an irredeemable pantser. Probably the reason I abandon a lot of ideas. Too much trouble figuring out what happens next.

So the book never got written, and I let the concept sit. It probably wouldn’t have gotten published anyway, not back then. Maybe not now. Depends on the execution, and the author. I am not now, have never been, and never will be Stephen King.

Skip ahead to earlier this year. Disney starts a streaming service and creates programs featuring its Marvel Comics properties. One of these shows is Loki, from the Thor franchise. Due to events in Avengers: Endgame, Loki has effed up the time stream. He’s now charged with setting things right. Over the course of the show he meets parallel universe versions of himself. One of them is a woman. They hook up.

Those sounds you hear are me screaming “Oh shit!” and kicking myself in the ass. Because I didn’t write that book, and now I never can. Because anybody reading it will immediately think, “She ripped that off from the Marvel show.” No, I didn’t. I had that idea decades ago, but I never wrote or published it, so there’s no way I can prove it. That’s the price a writer pays for not striking while the iron is hot. Now somebody else gets to be praised for being daring and original, and I’m relegated to an also-ran’s parallel universe.

Somewhere out there, some Trekkie fanfic writer may also be screaming and kicking herself. I hear you, honey. Loud and clear.

The lesson I’m taking from this is to speed up my production, pronto. I have what I feel is a marketable concept for my series, with characters, story twists and ideas I believe in. Now I just have to get it done and out there. Because somewhere in the multiverse some other writer could have those same ideas. Someone who’s never heard of me and has no clue I even exist, but who’s faster at writing than I am.

Thank you, Disney. You just gave me the kick I needed. Now, if you’ll all excuse me, I have a lot of writing to do.

Friday, May 14, 2021

Are We There Yet?



Yes, I’m still here, more or less. And still writing. You’d think with Covid keeping us homebound for the last year or so, I would have had plenty of time to work on that series I talked about—what, maybe ten years back or something? Okay, that’s an exaggeration, but when you write as slowly as I do it can feel like that sometimes. Sooner or later, however, things get done. Maybe.

So why isn’t my series finished yet?

This next part’s going to contain a lot of excuses, so I’ll do you a favor and mark when it’s over. When you get bored, jump down to the bolded bit. I won’t mind.

To recap: I needed to pay for a new air conditioner, so I decided to write a romance series about a family of Texas cowboys who double as vampire slayers. It’s a closed series, meaning the collected books tell a single long story, with individual books being the “chapters.” I actually plotted for once and decided I’d need eight books in all: seven romances and the big wrapup. Got my characters, got my plot, got to work and whipped out a book in (for me) record time.

Unfortunately, it was Book #3. Yes, I know. Most people start with Book #1. And I would have, but I really liked the characters in Book #3, and the plot took off and I couldn’t wait to work on it every day, and next thing you know I’ve got a finished draft. Yay!

And almost immediately ran head on into a writer’s block.

Now, I’m a slow writer to start with. There are writers out there who can do 5000 or more words a day, day after day, week after week. They’re the ones you’ve heard of because they publish a book per month. Plus sidebar stories. And they still have time left over to chat with people on Twitter. My hat is off to them, because I will never be among their number. I’m lucky if I can hit 1000 words in a day. Skipping housework doesn’t help me, either, because I do that anyway.

I started Book #1. Hit a snag and couldn’t go on. Started Book #2. Made good progress—I liked the characters, the plot was shaping up, two side characters did something that even I wasn’t expecting—

Then I got to the sex scene. Stopped me dead. I tried going back to Book #1. Nope, no luck there. I wrote random scenes from further up the plotline. Started Book #4, realized it wasn’t working, let that one peter out. Then Covid hit and I had to get home WiFi because the library shut down and I needed Internet access to download files for my freelance job. With everything closed and home WiFi, I didn’t even need to leave the house.

So I…didn’t write. I watched a lot of videos on YouTube. I watched TV. I took naps. My off-and-on video game addiction flared up with a serious vengeance. Looking back, I was probably depressed. Or overwhelmed by the notion of coordinating an eight-book opus and making sure all the plot threads worked. Or lazy. It’s often hard to tell. Procrastination is a problem I’ve wrestled with for years.

Okay, enough of this shit. HERE ENDETH THE WHINING.

The good news: after almost a full year of farting around, I’m back on track again. I started writing longhand and lo and behold, it’s working out. Probably because a sheet of lined notebook paper offers way fewer distractions than the Internet. The female lead started coming to life, and just this morning I decided the male lead looks like Gerald McRaney, a fave of mine from the ‘80s. He’s a werewolf in a cowboy hat with a moustache and a receding hairline. You got a problem with that?

Pity this is Book #7. The rest are all still stuck.

Well, too bad. I’m writing, and that’s all that counts. I’ll worry about the others when this one is done. If I have to write the entire series out of order, that’s the way it’s gonna be. Because that’s how I’ve decided to handle this: I’m going to write the entire series at the same time, and not even think about marketing Book #1 until I’ve got at least six of the others finished in draft form. It’s the only way I’ll be able to guarantee I can release a book a month. Disney/Marvel can afford to let a year or two pass between movies. That doesn’t work for ebook publishing. When you’re doing a series, the faster chapters come out, the better. Nobody wants to wait for anything anymore.

Don’t worry. I already know how the story ends. That won’t be a problem. The problem is my bad case of sequelitis. A throwaway character from Book #3 took on a life of her own; she’s got a trilogy lined up as soon as I finish the series. Then the main characters from Book #3 come back for a reprise. Or two. I didn’t realize until recently his mother was a literal witch. And so it goes…